February 25, 1980
It is becoming difficult to
exaggerate the effect that Larry Bird has had on the Celtics. As the
club travels around the country, rivals are becoming more explicit in
their praise. And just this week Utah Jazz coach Tom Nissalke uttered
the most powerful endorsement yet of the Celtics' rookie.
"Larry
Bird," said Nissalke, "is the best rookie to come into the league since
Bill Walton. I really believe that if he had gone to Los Angeles they
would only have two or three losses this season, and that if Magic
Johnson had gone to Boston, they'd have no more than 36 wins. Magic is
very good, but he is a spear carrier on that club. Bird is carrying the
Celtics."
I was among many, incidentally, who had the
incorrect impression that coach Bill Fitch had gone to Bird after the
injury to Dave Cowens and explained that the team would need more out of
him in the scoring department. It never happened. What did happen was
that the team began to call his number more. The rest has been the
result of Bird's own initiative.
"Larry has done more
than his share (averaging 25 points a game since the Cowens injury),"
explains Fitch, "because he is smart enough to realize what has to be
done with Dave out. Sure, we've gone to him more, but it's basically
been a case of Larry taking charge."
Fitch has
low-keyed Bird so much this season that it's often been difficult to
determine his true feelings regarding the ability of his prize rookie.
Lately, however, his defense mechanism has begun to break down. The fan,
the artist as it were, in him is taking over, and he has become more
willing to praise Bird. For example, Fitch now believes that Bird should
be a first team all-star forward, along with Julius Erving. I honestly
don't think Fitch would have admitted that a month ago. But, then, a
month ago Bird had only given us hints of his latent capacity to
control ballgames.
The "National Basketball Express" is
en route to Massachusetts, and the Commonwealth may never be the same.
NBX is a two-man caravan consisting of free-lance writer Ted Rubenstein
and photographer Robert (Moon) Goldstein, two basketball whackos who are
putting together the ultimate book for hoop junkies, a treatise based
on a season in the NBA. Traveling in a 1970 Mustang ("Airplanes are for
wimps," Rubenstein explains), they will have covered 29 states and over
8000 miles before winding up the season in exotic Piscataway, N.J., on
March 30. Their aim is to capture the essence of NBA life, which means
the locker rooms, the bars, the fans, the towns and not just the game
being played on the floor. Not all the public relations men, coaches and
players know what to make of them - imagination being in short supply
in these perilous times - but nothing has deterred them, not even the
lack of a publisher for the book once they get it done. So as not to
lose all their perspective, the hoop-crazed pair will also take in the
Final Four in
Indianapolis the weekend of March 24.
How
You Know You're Far, Far From Home Dept: The afternoon disc jockey on
KSL, a big Salt Lake City radio station, spent several minutes
discussing the high school basketball ratings appearing that day in the
two Salt Lake papers. I can't quite imagine Bruce Bradley debating the
merits of Cambridge Rindge and Latin and Quincy over the air, can you? .
. . Utah's Allan Bristow could play for my team any time he wants. He
can make open shots and he may be the most creative passing forward this
side of Bird. He's another in
the long line of quality players
the scouts said was "too slow" when he came out of college . . . And how
about a belated tribute to referees Jake O'Donnell and Bill Saar for
their expert handling of the epic Celtic-Sonic game of a week ago?
O'Donnell was especially impressive with his decisive, professional
handling of the 24-second violation incurred by the Celtics in the final
minute . . . Paul Silas, on the difference between the Sonics of 1980
and the Celtic championship teams he played on: "We're not at their
level yet. We need more mental toughness on a nightly basis. We let too
many teams who don't belong on the floor with us stay in the game,
assuming that we can turn it on down the stretch and pull it out. Well,
sometimes we can't. We need to develop a killer instinct so that we
annihilate people the way we should." Hardly had these words escaped his
mouth than the Sonics went to Chicago and lost to the Bulls . . . John
Johnson describes the Sonics as "not pretty to watch, but we know how to
win." Johnson also worries about playing the Celtics once Dave Cowens
is back. "He's the type of player that can make a difference in those
close games," Johnson pointed out.
Pete Maravich says
that what has impressed him most about the Celtics is their "attitude
and atmosphere." Maravich explains, "This is the only team I've ever
played on where guys got on the bus in the morning and talked about
basketball. It's always, How did Philly do last night? What did Seattle
do?' I'm impressed by that, and by how badly the guys want to win." . . .
Carl Scheer, Denver's president and general manager, is ecstatic over
the deal that rid him and the organization of George McGinnis and that
brought in an excellent small forward named Alex English, as well as a
draft pick (Boston's 1980 choice, which the Pacers obtained originally
for Earl Tatum). "You really don't know how much damage McGinnis does to
your team until he's gone," Scheer says. "He has a bad effect on a
team, even when he's having a good game. He'll be doing his thing, and
the rest of them will be standing around watching. There's no such thing
as running an offense. Worst of all are McGinnis' practice habits,
which are non-existent.
You'd be surprised at the
number of people around the league who feel that Gus Williams should
stay put in Seattle. "They give him the green light out there," said one
Celtic. "He might find it a lot different somewhere else." Williams can
be a free agent at the end of the year, and agent Howard Slusher is
eyeing a whopper of a contract for the Sonic guard.
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